The Dixie Chicks are an American all-female country music trio,
comprising Emily Robison, Martie Maguire, and Natalie Maines.
The Dixie Chicks formed in 1989 in Dallas, Texas.
After years of struggle and changes in personnel, the group achieved
large-scale country and pop commercial success starting in the late
1990s, with hit songs such as "Wide Open Spaces", "Cowboy
Take Me Away", and "Long Time Gone". They became
known for their lively group personae, instrumental virtuosity,
fashion sense, and outspoken views. In particular, Natalie Maines'
public criticism of President George W. Bush on the eve of the 2003
invasion of Iraq led to considerable controversy for the group,
causing them to lose a large part of their core country audience,
but gain a new if somewhat smaller audience in the process.
EARLY INCARNATIONS
The original members of the Dixie Chicks when they
formed in 1989 were the sisters Martie Erwin and Emily Erwin, Laura
Lynch, and Robin Lynn Macy. (Martie and Emily have since married
and their names are now Martie Maguire and Emily Robison.) The sisters
provided the instrumental firepower while the other two were the
lead singers. The original members graduated from Greenhill School
in Addison, Texas, a suburb of Dallas.
The Dixie Chicks began with a largely bluegrass
sound, and released their first album Thank Heavens for Dale Evans
(named after the pioneering, multi-talented female performer Dale
Evans) on independent label Crystal Clear Sound in 1990. The album
included two instrumentals, an indicator from the beginning of the
group's strength; Martie had taken third place at the National Fiddle
Championships the year before. The Chicks gained some positive notices,
winning the best band prize at the Telluride Bluegrass Festival
and earning opening act spots in support of Garth Brooks, Reba McEntire,
George Strait, and others, but found no airplay outside of public
radio.
In late 1991 the group released the Christmas single
"Home on the Radar Range", and followed it in 1992 with
their second album, Little Ol' Cowgirl. Steel guitar legend Lloyd
Maines played on both of these, foreshadowing a personnel change
to come. Some of the album contained a more contemporary country
sound. The Chicks made appearances at various events in the Texas
and Nashville areas, gaining good critical but sparing commercial
success outside of some Dallas area radio airplay.
Robin Lynn Macy left in late 1992, preferring a
"purer" bluegrass approach, and remained active in the
Dallas music scene.
Now a trio, in 1993 the Chicks released their third
album, Shouldn't a Told You That, with Lynch acting as the sole
lead singer and bluegrass pushed to the background. Despite constant
touring, and appearances at higher-profile events such as President
Bill Clinton's Inauguration and the national television show CBS
This Morning, no hit emerged and a commercial breakthrough eluded
them.
A NEW SINGER AND COMMERCIAL
SUCCESS
Laura
Lynch was replaced in 1995 by Natalie Maines, who is the daughter
of producer, steel guitar player, and former Chicks session player
Lloyd Maines. Around the same time, Sony scouted the Chicks and
signed them to their newly revived Monument Records label.
This new lineup consisted of group leader Martie
(fiddle, mandolin and vocals), Emily (guitar, dobro, banjo and vocals),
and Natalie (lead vocals and in concert, guitar). Natalie had added
a strong and distinctive voice to the sisters' musicianship and
harmony vocals, and the combination suddenly clicked.
A single "I Can Love You Better" was
released in October 1997, this time with major label promotion.
It climbed into the Top 10 of the country chart. The album Wide
Open Spaces was released in January 1998, and over the space of
a year the next three singles from it all hit No. 1 on the country
charts: the bouncy "There's Your Trouble", the statement-of-purpose
"Wide Open Spaces", and the radio-pleasing ballad "You
Were Mine". Wide Open Spaces went on to sell more than 12 million
copies, becoming one of the 50 best-selling albums in American history.
In the summer of 1999 they served as the opening act for Tim McGraw
on a popular concert tour.
The Dixie Chicks proved their hitmaking was no
fluke by following it with another smash hit album, Fly, in 2000.
Nine singles emerged from it, including country No. 1's "Cowboy
Take Me Away" and "Without You". Fly went on to sell
10 million copies, a rare repeat visit to the diamond level of sales.
The Chicks also staged the Fly Tour, their first as the headlining
act and already now in arenas.
The source of the Dixie Chicks' popularity came from various factors.
They wrote or co-wrote about half the songs on these two records,
while using outside songwriters for the rest. The group's mixture
of bluegrass and mainstream country music appealed to a wide spectrum
of record buyers. The group's visual image ranged from pretty to
jokey to fiery, which further enhanced their general appeal. Lyrically,
the Chicks' ethos struck a resonance with the public:
She needs wide open spaces
Room to make her big mistakes
This romantic, adventurous sense of independence
was a major theme of the first two albums featuring Maines as the
lead singer; it is strongly evident as well in "Cowboy Take
Me Away", another of their signature songs. But the Chicks
also delivered gleeful revenge epics such as "Goodbye Earl"
(a tale of a woman who murders her abusive husband and gets away
with it) or raucous, ribald numbers such as "Sin Wagon"
(a concert staple rave-up). Both of these tracks contained thematic
elements that caused some radio stations to remove them from their
playlists, but the group was consistently unapologetic — foreshadowing
the larger controversy yet to come.
STILL SUCCESSFUL WITH A NON-COMMERCIAL SOUND
The Dixie Chicks
debuted their quiet, unadorned song "I Believe in Love"
on the America: A Tribute to Heroes telethon following the September
11, 2001 attacks. It was a harbinger of a change in musical direction.
The group was involved in a dispute
with their record label for two years, and their next album Home
was an independent production, produced by Lloyd Maines and released
in 2002 after the Chicks and Sony reconciled their differences.
For the tracks that came from outside songwriters, the group solicited
personal songs that the writers might think "uncommercial".
Unlike the two previous records, Home was recorded without drums
and is dominated by very-up-tempo bluegrass and pensive ballads.
In addition to this "non-commercial" sound, the lyrics
of the opening track and first single, "Long Time Gone",
explicitly attacked contemporary country music radio, accusing it
of ignoring the soul of the genre as exemplified by Merle Haggard,
Johnny Cash, and Hank Williams.
Despite all this, the single rose
to #2 on the country chart and started the album off to become a
major success; it ended up selling over 6 million copies in the
U.S., which might have been still more but for the political controversy
to come. "Long Time Gone" also became the Chicks' first
top ten hit on the U.S. pop singles chart.
The group's sense of independent
spirit was still alive and well in their cover of Fleetwood Mac's
"Landslide", which duplicated the top ten country and
pop achievements, but in one example of the album's contrast with
the past, a key track from Home was a rendering of Patty Griffin's
"Top of the World" (for which the subsequent tour was
named), which featured a startlingly unusual point of view and sought
to portray an almost unbearable sense of regret.
Home dominated the 2003 Grammy Awards
held on February 23, winning four of them, including Best Country
Album. Tickets for the associated Top of the World Tour often sold
out within hours.
POLITICAL CONTROVERSY
A
couple of weeks later, on March 10, 2003, during the run-up to the
invasion of Iraq (which would take place on March 20), Natalie Maines
(a native of Lubbock, Texas) said between songs during a concert
at the Shepherd's Bush Empire theatre in London:
"Just so you know, we're ashamed
the President of the United States is from Texas."
Once The Guardian's review of this
concert was picked up by U.S. media, controversy erupted. The
remark sparked intense criticism from many Americans, on three grounds:
that Maines shouldn't be criticizing the nation's head of state
while on foreign soil; that Maines shouldn't be criticizing the
military's commander-in-chief while the country was on the verge
of war; and (from a business standpoint) that Maines shouldn't be
making political statements that would offend the Dixie Chicks'
culturally conservative audience base. Maines said "I said
it there 'cause that's where I was."
Following the uproar and the start
of a boycott of their music, the singer attempted to clarify matters
on March 12 with, "I feel the President is ignoring the opinions
of many in the U.S. and alienating the rest of the world."
This statement failed to quiet her
critics, and on March 14 she issued an apology: "As a concerned
American citizen, I apologize to President Bush because my remark
was disrespectful. I feel that whoever holds that office should
be treated with the utmost respect. We are currently in Europe and
witnessing a huge anti-American sentiment as a result of the perceived
rush to war. While war may remain a viable option, as a mother,
I just want to see every possible alternative exhausted before children
and American soldiers' lives are lost. I love my country. I am a
proud American."
Some fans remained angry and encouraged
a boycott of Dixie Chicks products and their sponsor Lipton. Other
fans were disappointed she apologized to the President. In one famous
display of anti-Dixie-Chick feeling, former fans were encouraged
to bring their CDs so they could be crushed by a bulldozer. The
degree of hatred directed toward the Chicks provoked concern among
the band about their safety and that of their families. Bruce Springsteen
and Madonna even felt compelled to come out in support of the right
of the band to express their opinions freely, though Madonna herself
was pressured to postpone and then alter the April 1 release of
her "American Life" video, in which she threw a Bush look-alike
a hand grenade, after witnessing the backlash on the Chicks.
On April 24, the Dixie Chicks launched
a publicity campaign to explain their position. During a prime-time
interview with TV personality Diane Sawyer, Maines said she remained
proud of her original statement. The band also appeared naked (with
private parts strategically covered) on the May 2 cover of Entertainment
Weekly magazine with slogans such as "Traitors," "Saddam's
Angels," "Dixie Sluts", "Proud Americans,"
"Hero," "Free Speech", and "Brave"
printed on their bodies.
President Bush responded to the
controversy surrounding the Dixie Chicks in an interview with Tom
Brokaw on April 24:
"[T]he Dixie Chicks are free
to speak their mind. They can say what they want to say ... They
shouldn't have their feelings hurt just because some people don't
want to buy their records when they speak out ... Freedom is a two-way
street ... I ... don't really care what the Dixie Chicks said. I
want to do what I think is right for the American people, and if
some singers or Hollywood stars feel like speaking out, that's fine.
That's the great thing about America. It stands in stark contrast
to Iraq ..."
At the first concert of their nationwide
Top of the World Tour the Dixie Chicks received a positive reception.
The concert was held in Greenville, South Carolina on May 1, and
was attended by a sell-out crowd of 15,000. The women arrived prepared
to face opposition — and Maines invited those who had come
to boo to do so — but the crowd erupted in cheers. (Tickets
for their concert tour had gone on sale well before the controversy
erupted, meaning a cross-section of their fans was at the concert.)
Nevertheless, the band remained
controversial. On May 6 a Colorado radio station suspended two of
its disc jockeys for playing music by the Dixie Chicks in violation
of a ban on their music. On May 22, at the Academy of Country Music
(ACM) awards ceremony in Las Vegas, there were boos when the group's
nomination for entertainer of the year awards was announced. However,
the broadcast's host, Vince Gill, reminded the audience that everyone
is entitled to freedom of speech. The Academy made the award to
Toby Keith, an outspoken critic of the group. By the time of their
August 3 Atlanta show, Natalie remarked they had not heard any boos
for a couple of shows but heard some that night, but that it was
OK, as the Dixie Chicks were all about freedom of speech.
In the fall of 2003 the Dixie Chicks
starred in a broadcast TV commercial for Lipton Original Iced Tea,
which made a tongue-in-cheek reference to the corporate blacklisting
and the grassroots backlash: in the tea spot, the Chicks are about
to give a stadium concert when the electricity suddenly goes out
- but they manage to electrify the stadium all by themselves, belting
out a rousing a capella version of "Cowboy Take Me Away"
to the raving cheers of the fans.
In a September 2003 interview, Maguire
told Der Spiegel magazine: "We don't feel a part of the country
scene any longer, it can't be our home anymore." She noted
a lack of support from country stars, and being shunned at the 2003
ACM awards. "Instead, we won three Grammys against much stronger
competition. So we now consider ourselves part of the big rock 'n'
roll family." However, in an open letter to fans on the Chicks'
Web site, Maines said Maguire had been misquoted.
Also in 2003, the American Red Cross
refused a 1 million dollar donation from the Dixie Chicks. The organization
did not publicize the refusal, though; it was revealed by the Chicks
themselves in a May 2006 interview on the Howard Stern Show on SIRIUS
Satellite Radio. A Red Cross spokesperson later said the decision
was made because "the controversy made it impossible to associate
with the Dixie Chicks."
In October 2004, the Dixie Chicks
joined the Vote for Change tour, playing a series of concerts in
American swing states. These concerts were organized by MoveOn.org
with the general goal of mobilizing people to vote for John Kerry
and against Bush in that year's Presidential campaign. The Dixie
Chicks' appearances were joint performances with James Taylor. This
effort was unsuccessful in getting Kerry elected, and while the
artistic collaboration with Taylor went very well (sharing the stage
on many numbers), during the concerts Maines' stage remarks revealed
a certain amount of nervousness over what the Dixie Chicks' future
career path would be.
In June 2006 Emily Robison commented
to the Telegraph in the UK on the exploitation of the war in Iraq
found in many country music videos, "A lot of pandering started
going on, and you'd see soldiers and the American flag in every
video," Robison said. "It became a sickening display of
ultra-patriotism." Maines continued, "The entire country
may disagree with me, but I don't understand the necessity for patriotism.
Why do you have to be a patriot? About what? This land is our land?
Why? You can like where you live and like your life, but as for
loving the whole country ... I don't see why people care about patriotism."
On September 2006, Cabin Creek Films,
the production company of award-winning documentarian Barbara Koppel,
will premiere Dixie Chicks: Shut Up and Sing at the Toronto Film
Festival. The film will be distributed by the Weinstein Company.
The documentary follows the Chicks over the three years since the
Bush remarks.
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